Abuse of Power Reflected in the Politics and Drama of Ancient Greece Es

Singular Abuse of Power Reflected in the Politics and Drama of Ancient Greece The Greeks accepted that an excess of intensity endowed in one individual was risky. They were the principal popularity based society in a turbulent universe of lords and heads, and they were pleased with their belief system. Thinking about their intense confidence in rule by many, its not amazing that numerous Greek shows spin around an individual saint or a ruler's tumble from power in light of pride or some other character imperfection. Notable characters in the absolute most noteworthy Greek tragedians' plays show this thought. In Aeschylus' Agamemnon, the title character is a returning ruler who acts pompously and negligently. He is killed by his significant other and his realm self-destructs. Sophocles' character Oedipus winds up executing his dad, losing his realm and his better half and mother, and turning into a visually impaired, meandering outsider for an amazing remainder. Jason in Euripides' Medea abandons his family for another marriage which he expectations will facili tate his station, however his old spouse slaughters his new wife and his youngsters, finishing his desires for a sparkling future. The developing topic of a person's shortcoming and ensuing defeat bolsters the Greek's law based framework, where no individual turns out to be excessively incredible. Agamemnon is an incredible warrior, yet not an extraordinary family man. On his way to the Trojan war, he yielded his girl to the divine beings with the goal that his boats would have the option to show up securely and quickly. This is a particularly bad activity in light of the fact that the war is being pursued to recover only one lady, Helen. It is difficult to legitimize executing one’s own girl so another person can recover his significant other. Be that as it may, war is the thing that he is acceptable at, and in the event that he didn’t penance his little girl he would let down ... ...ach tumble from their capacity into death or sadness. They had gotten excessively incredible, excessively pompous, and excessively eager, thus the divine beings chop them down. This example of rulers tumbling from power due to shortcomings and character blemishes is regular in Greek dramatizations. The Greeks were pleased with their fair framework, and their dramatizations mirrored their conviction that their general public, managed together by agents of the individuals, was best in a world loaded with temperamental and hazardous governments. The divine beings detest men who rise excessively high and look to turn out to be excessively extraordinary. So do the Greeks. Works Cited Aeschylus. Agamemnon. Greek Tragedy. Eds. A. Cook and E. Dolin. Dallas: Spring Publishing, Inc., 1992. Euripedes; Medea; Trans. Rex Warner. The Harcourt Brace Anthology of Drama: Third Edition. Orlando: Harcourt, 2000. Sophocles. Oedipus Rex. New York: Dover Publications, Inc., 1991.